When Kazuo Ishiguro's novel, Never Let Me Go, was published in 2005, i consumed it in one sitting. The story about a seemingly idyllic British boarding school, charged with the education of human clones, was absolutely enthralling. Like Ishiguro's novel, The Remains of the Day, Never Let Me Go is also sturctured to slowly reveal an evil reality cloaked in what appears to be humdrum daily rituals. Now the film version of Never Let Me Go is in U.S. theaters for a limited engagement and should not be missed. My commentary addressing some of the moral and cultural issues raised by Ishiguro appeared today on Headline Bistro. I applauded Carrie Mulligan's performance as "Kathy H.", the narrator and a central character. As usual, Mulligan is suburb.I note in my commentary:
For some of us, Kathy’s struggle exposes the moral contradictions inherent in our present use of contemporary reproductive technologies: methods of assisting fertility or curing diseases that are predicated on the destruction of human life. Kathy’s plight reveals the tragic limits of good intentions and the seductive power of scientific breakthroughs that give us power over life and death. Reflecting on Hailsham’s failed mission, we may find ourselves re-examining the culture’s incremental tolerance of attacks against nascent human life, from legal abortion to the laboratory creation of embryos destroyed during research. Once moral absolutes are discarded, utilitarian equations, which employ a cost-benefit analysis to establish the value of individual lives, seem too fragile, or adaptable, to prevent future abuses of reproductive technologies.
Ishiguro acknowledges this grim truth, though he doesn’t belabor it. Indeed, some will reach very different conclusions about the moral dynamics at play here. After all, many desperate patients and their families have already accepted the necessity of employing embryo-destructive research to advance future cures. But Kathy’s story will move some complacent bystanders to grapple directly with the first of many difficult questions: Now that human cloning is achievable will it inevitably become desirable?
Go see the movie, and after you do, get the book. Kathy H. will haunt you.
Wall Street: The Money Never Sleeps
The new Wall Street: The Money Never Sleeps with Michael Douglas has some great moments, but mostly grabs our attention because we're in the midst of an economic crisis beyond the comprehension of ordinary mortals. When I saw the sequel to Wall Street, I was struck by the return to the theme of fatherless young men on the move, looking for an icon to imulate. I wrote about the film for Headline Bistro, noting that director Oliver Stone initially had been surprised to learn that his first film about Wall Street -- a movie he made to repudiate filthy rich investment bankers -- actually served as a recruiting vehicle for these same banks. Young men wanted to work at these banks, and the "greed is good" argument of the film's character didn't put them off. But there's something more that Stone has missed with these movies. The films are supposed to serve as an argument for tightened regulation of a greedy financial industry, but even if additional regulations are imposed on Wall Street, they can't save the industry from the problem of human freedom and sin. Stone has one solution for greed, but it's not the only one.
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